{"id":718,"date":"2011-12-20T00:02:34","date_gmt":"2011-12-20T06:02:34","guid":{"rendered":"http:\/\/dismuke.org\/blog\/?p=718"},"modified":"2019-12-03T19:49:54","modified_gmt":"2019-12-04T01:49:54","slug":"arnold-foldesy-boris-kroyt-and-karol-szreter","status":"publish","type":"post","link":"http:\/\/dismuke.org\/blog\/?p=718","title":{"rendered":"Arnold F\u00f6ldesy, Boris Kroyt And Karol Szreter"},"content":{"rendered":"

\"Odeon<\/a><\/p>\n

“Fr\u00fchlingslied”
\nProf. Arnold F\u00f6ldesy, cello; Boris Kroyt, violin; Karol Szreter, piano
\n1924 (\u00a0Odeon AA-79537 mx XXB 7000)
\nProf Arnold Foldesy and Boris Kroyt – Fruhlingslied]<\/a><\/p>\n

“Tr\u00e4umerei”
\nProf. Arnold F\u00f6ldesy, cello; Boris Kroyt, violin; Karol Szreter, piano
\n1924 (Odeon-AA 79538 mx XXR 7001)
\nProf Arnold Foldesy and Boris Kroyt – Traumeri]<\/a><\/p>\n

Here are a couple of well-known compositions by two German composers of the early Romantic era<\/a>.<\/p>\n

“Fr\u00fchlingslied” or “Spring Song” is from Felix Mendelssohn’s<\/a> Songs Without Words<\/em><\/a> (Book 5 Op. 62 No. 6).<\/p>\n

“Tr\u00e4umerei”comes from Robert Schumann’s<\/a>\u00a0 Kinderszenen<\/em><\/a> (Scenes From Childhood<\/em>) (Op. 15 No. 7)<\/p>\n

Performing are three musicians who were well known in early 20th century Europe: Hungarian cellist Arnold F\u00f6ldesy, Russian violinist Boris Kroyt who later played viola for the Budapest String Quartette<\/a> from 1936 – 1967 and Polish pianist Karol Szreter<\/a>.<\/p>\n

The label credits Szreter as performing on a Schwechtenf\u00fcgel,\u00a0 a grand piano made by the highly regarded Berlin piano manufacturer G Schwechten<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

“Fr\u00fchlingslied” Prof. Arnold F\u00f6ldesy, cello; Boris Kroyt, violin; Karol Szreter, piano 1924 (\u00a0Odeon AA-79537 mx XXB 7000) Prof Arnold Foldesy and Boris Kroyt – Fruhlingslied] “Tr\u00e4umerei” Prof. Arnold F\u00f6ldesy, cello; Boris Kroyt, violin; Karol Szreter, piano 1924 (Odeon-AA 79538 mx … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[12,21,26,14],"tags":[],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p6lko4-bA","_links":{"self":[{"href":"http:\/\/dismuke.org\/blog\/index.php?rest_route=\/wp\/v2\/posts\/718"}],"collection":[{"href":"http:\/\/dismuke.org\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/dismuke.org\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/dismuke.org\/blog\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/dismuke.org\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=718"}],"version-history":[{"count":7,"href":"http:\/\/dismuke.org\/blog\/index.php?rest_route=\/wp\/v2\/posts\/718\/revisions"}],"predecessor-version":[{"id":2052,"href":"http:\/\/dismuke.org\/blog\/index.php?rest_route=\/wp\/v2\/posts\/718\/revisions\/2052"}],"wp:attachment":[{"href":"http:\/\/dismuke.org\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=718"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/dismuke.org\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=718"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/dismuke.org\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=718"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}