Johnny Hamp And His Orchestra – 1931

Victor 22722

“Look In The Looking Glass”
Johnny Hamp And His Orchestra; Andrew Freeman, vocal
1931 (Victor 22722-B)

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“Nevertheless”
Johnny Hamp And His Orchestra
1931 (Victor 22722-A)

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This record comes from the collection of my friend Christian From Dallas who has kindly loaned me a few boxes of records from his collection so that I can digitize and share them here.  As with all records featured on this site, any credit/blame for the transfer and audio restoration goes to me.

After going through one of the boxes of records that Christian has generously loaned me, I simply cannot resist including this really nice dance band record – one that I do not have in my own collection.   This record is my first exposure to the song “Look In The Looking Glass” – which I think it is very nice and very catchy.

Johnny Hamp’s band recorded for Victor from 1925 through 1929 as Johnny Hamp And His Kentucky Serenaders.   The band returned to the Victor studios in 1931 as Johnny Hamp And His Orchestra. Because of the Depression, Johnny Hamp records from this period are much more difficult to come by.

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Jan Kiepura – 1935

“Fair Or Dark I Love Them All”(“Ob blond, ob braun, ich liebe alle Frau’n“)
Jan Kiepura
1935 (Parlophone RO 20298 mx Be 11041)

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“Give Me Your Heart Tonight” (“Schenk’ mir dein Herz heute Nacht“)
Jan Kiepura
1935 (Parlophone RO 20298 mx Be 11042)

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This record comes from the collection of my friend Christian From Dallas who has kindly loaned me a few boxes of records from his collection so that I can digitize and share them here.   As with all records presented on this site, all credit/blame for the transfer and audio restoration goes to me.

Jan Kiepura was a Polish tenor who was enormously popular internationally during the 1930s both as an opera performer and a film star.  Both of these selections were composed by Robert Stolz and are from the 1935 film Ich lieba alle Frauen in which Kiepura starred.

In 1936, Kiepura married Austrian singer and film star Marta Eggerth and the couple regularly performed together until Kiepura’s death in 1966.  Eggerth has continued performing well into her late 90s and will celebrate her 100th birthday in April.

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Arden-Ohman Orchestra 1931/1929

Victor 22893

“Who’s Your Little Who-Zis?”
Victor Arden – Phil Ohman And Their Orchestra
Sylvia Froos, vocal
1931 (Victor 22893-A)

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“It’s You I Love ” – Tango
Victor Arden – Phil Ohman And Their Orchestra
Frank Luther, vocal
1929 (Victor 22205-B)

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“Why?”
Victor Arden – Phil Ohman And Their Orchestra
Frank Luther, vocal
1929 (Victor 22205-A)

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Here are some selections by the dance band of the piano duo of Victor Arden and Phil Ohman.

The Arden Ohman Orchestra performed in a number of Broadway productions in the late ’2s and early ’30s.  ”Who’s Your Little Who-Zis?” composed by bandleader Ben Bernie,  is typical of the Arden-Ohman band’s early ’30s sound – very bouncy and along the lines of what one might expect to hear in a Broadway theatre of the time.

“It’s You I Love” and “Why” come from the 1929-1930 Broadway production Sons O’ Guns.   The play was later made into a 1936 comedy film.

Posted in 1910s Popular Music, 1920s Popular Music, 1930s, 1930s Popular Music, American Recordings, Broadway, Electrical Recordings, Tango | Leave a comment

Mr. William Ditcham – Ragtime Bell & Xylophone Solos

Jumbo A22195

“Sweet Jasmine”
Mr. William Ditcham, Bell Solo
circa 1910 – 1911 (Jumbo A 22195 mx LX01444)

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“Laughing Ben”
Mr. William Ditcham, Xylophone Solo
circa 1910 – 1911 (Jumbo A22194 mx LX01445)

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This record comes from the collection of my friend Christian From Dallas who has kindly loaned me a few boxes of records from his collection so that I might share some of them here.  I will be mixing in some of Christian’s records in with my own for upcoming updates.  Christian’s collection is especially strong in the areas of ragtime, salon orchestras, operetta and World War I patriotic recordings – so I am going to take special advantage of his records in those particular genres.   As with all records posted to the site, all credit/blame for the transfers and audio restoration goes to me. 

Here are two charming ragtime selections performed by William Ditcham who, in addition to being a musician, worked as recording engineer for several early British record firms including Edison Bell, Odeon and Chrystalate.   He also founded the short lived World War I era British label Bulldog Records.

No composer credits are provided on the label for either song. But I was able to quickly determine that “Sweet Jasmine” was composed by Olly Oakley, an early British ragtime banjo player.  You can listen to Mr. Oakley perform the song on banjo on this YouTube clip.

I have not been able to find any additional information about the song  ”Laughing Ben.”

Recordings of both songs being performed by Mr. Ditcham are listed in the online CHARM database and indicate recording dates in 1910.  But the listings in the database provide catalog and matrix numbers for the HMV label.   The recordings presented here are on the Jumbo label issued by the German owned Fonotipia Ltd which was also affiliated with the German Odeon label. In the runout groove are Odeon matrix numbers which suggest a 1911 recording date.  At the time it was not uncommon for recording artists to record the same song for multiple record labels.  So my guess is that recordings here are different than the ones listed in the CHARM database and were recorded some months later.

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Jack Payne & His Band – 1933

Imperial 2918

“I’ve Gotta Get Up And Go To Work”
Jack Payne & His Band
1933 (Imperial 2918 A mx 6490)

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Here is a really great version of a Depression themed “cheer up” song introduced in the 1933 musical film Moonlight And Pretzels.  After the vocal are several really nice solo passages.

Posted in 1930s, 1930s Popular Music, British Recordings, Electrical Recordings | 1 Comment

Carol Porter (Jack Plant)

Eclipse 287

“Masquerade”
Carol Porter, vocal
1932 (Eclipse 287 mx JW827)

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“Tomorrow”
Carol Porter, vocal
1932 (Eclipse 287 mx JW828)

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Here are a couple of recordings by vocalist Jack Plant who made recordings with a number of 1930s British dance bands.  ”Carol Porter” is but a pseudonym that was used for his recordings on the Eclipse label which was sold through the British branch of the F.W. Woolworth chain.

“Masquerade” is a very charming waltz and was the first commercial success for lyricist Paul Francis Webster.   In the United States Ted Black and His Orchestra’s recording of the song achieved a number three spot on the Billboard charts.

I attempted to do an online search for information about the song “Tomorrow” but, unfortunately, a title consisting of a single commonplace word makes it rather difficult.  The label credits the song to a “C. Tyne” but I have not been able to locate any information as to who this might have been.

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“Lila” Waring’s Pennsylvanians 1928

Victor 21333

“Lila”
Waring’s Pennsylvanians; Tom Waring vocal
1928 (Victor 21333 A mx 43173)

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Here is a peppy recording I listened to for the first time while selecting records to play on the recent Radio Dismuke New Year’s Eve broadcast.

Fred Waring led what was, in my opinion,  one of the better dance bands of the ’20s and early 30s.  It was certainly among the most successful – at times during the 1930s Waring’s Pennsylvanians had as many as 70 musicians and vocalists on staff and was earning $10,000 Depression era dollars per week for its radio broadcasts alone.

Unfortunately, 78 rpm records do not document how the band’s sound evolved with the changing musical tastes of the 1930s because Waring refused to enter the recording studio for a full decade beginning in late 1932.  Waring, like other on-air bandleaders, felt that the then legally ambiguous practice of small, non-network affiliated radio stations spinning commercial phonograph records undercut and diminished his live, network broadcasts.   By the time Waring resumed recording in the 1940s he had largely transitioned the Pennsylvanians away from a being jazz oriented dance band into a choral glee club format which he continued to lead into the 1980s.

Outside of the entertainment world Waring was a successful entrepreneur producing and holding the patent to the still manufactured Waring Blender.

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The Story of “Winter Wonderland” – 1934

Victor 24757

“Winter Wonderland”
Richard Himber And His Ritz Carlton Orchestra; Joey Nash, vocal
1934 (Victor 24757-B)

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“Winter Wonderland”
Harry Leader And His Band
1935 (Eclipse 902 A)

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This will be my last posting before Christmas so I thought it would be nice to feature something in theme with the holidays and to tell the story of a how a now familiar holiday classic came close to having been overlooked and forgotten.

The very first recording of “Winter Wonderland” was this version by Richard Himber And His Ritz Carleton Orchestra.   The song’s lyrics were written in early 1934 by an obscure song writer named Dick Smith after he observed children playing in the snow from his window in a Scranton, Pennsylvania sanitarium where he was sick with tuberculosis.  Smith took the lyrics to his friend, pianist Felix Bernard, who composed a tune to go with them.   The song might well have been lost had it not come to the attention of Joey Nash, the vocalist for Richard Himber’s popular New York City society orchestra.

Decades later in the 1970s Nash recalled:

“A fan in my neighborhood, Bernie Smith, told me about a song his brother Dick, a patient in a Pennsylvania sanitarium, had co-authored with Felix Bernard.  He showed me a penciled manuscript and played a wheezy, home-made recording of “Winter Wonderland.”  I liked the unique, sleigh bells-snowman romantic lyrics and its lovely melody.  I learned Donaldson-Douglas-Gumble music publishers had accepted the tune and evidently forgot about its existence.

I introduced “Winter Wonderland” on the air and on this Victor date [October 23, 1934] the band and I were scheduled to record it.  Due to technical difficulties, time had run out and the session ended without the song being made.  Himber had left the studio and the musicians were packing up. I so wanted to do this tune, I asked the band, as a favor to me, to try for a master.  They agreed, but it would be a one-shot try.  If something or someone fouled it up, well, that would be just too bad. (In those days, before tape recording, a rendition had to be faultless from start to end: if not, you had to do it again – and again.)  It was a perfect performance…

Joey Nash’s performances on Richard Himber’s radio broadcasts brought the song to the attention of bandleader Guy Lombardo who recorded his own version for Decca the day following Himber’s recording session.  Lombardo’s recording was released in December and it quickly climbed to number 2 on the Billboard charts.    Ted Weems recorded the song for Columbia on November 11 and it reached Billboard’s number 13 position.

I do not have a copy of either the Guy Lombardo or Ted Weems version.   The Weems arrangement is excellent – and you can hear a very clean recording of it on a royal blue wax Columbia via YouTube at this link.

I do not have an exact date for the British recording featured here by the Harry Leader band – but it is from sometime in 1935. The recording is from an eight inch Eclipse record.  Eclipse was an in-house bargain label sold through the British branch of the F.W. Woolworth dime store chain from 1931 -1935.

Dick Smith lived to see his song become a hit before the tuberculosis took his life on September 28, 1935 -  just one day prior to his 34th birthday.

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“Naval Cadets March” / “Albinos Polka”

“Naval Cadets March”
Bell Solo With Band
circa 1918 (Columbia E4060 mx 29377)

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“Albinos Polka”
Xylophone Solo With Band
circa 1918 (Columbia E4060 mx 84229)

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Here is a very charming record I picked up in a used book store the other night for the princely sum of 33 cents.   It is not in the best of shape – but it is hard to complain at the price.   Happily, my audio restoration equipment was able to clean it up enough to at least be able to provide an enjoyable performance.

The record is from Columbia’s green label E series of ethic records – and, as you may have already observed, the green label with gold type makes the label scan difficult to read.

I am fond of both selections on this record. Unfortunately, I have been unable to locate much in the way of information about exactly when it was recorded or who the anonymous band might have been.  Nor is any composer credit provided for either song.

None of my record dating reference materials provide listings for Columbia’s E series and the matrix numbers are from non-standard series as well.  I was able to find the above Columbia Records advertisement from the January 10, 1919 El Paso Herald which mentions the record as a mid-month release.   For the record to have hit stores in mid-January, 1919 it is safe to assume that the recordings were made no later than sometime in late 1918 – though it is possible they might have been recorded earlier.

The Library of Congress has a 1918 copyright listing for an “Albinos Polka” composed by Carl Woess, a prolific but almost completely forgotten early 20th century composer.   My strong assumption is this is the same song.

An article in the May 31, 1892 New York Times mentions a “Naval Cadet March” being performed by Charles A Zimmerman directing the US Naval Academy Band.  The article credited Zimmerman as the song’s composer.   I have no way to verify whether this is the same song as on the record – but I think it is quite possible.

Posted in 1910s, Acoustic Recordings, American Recordings | 1 Comment

Joe Taub & His Melodians – 1933 & 1934

Eclipse 596

“How Can I Hope To Go On?”
Joe Taub And His Melodians
1933 (Eclipse 560-B mx JW1563)

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“Thanks”
Joe Taub And His Melodians
1933 (Eclipse 560-A mx JW1582)

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“How Happy I Could Be”
Joe Taub And His Melodians
1934 (Eclipse 596-B mx 1643)

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“Without That Certain Thing”
Joe Taub And His Melodians
1934 (Eclipse 596-A mx 1642)

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Here are four selections by the Harry Leader band under the recording pseudonym Joe Taub And His Melodians.  I previously featured two additional recordings by Joe Taub And His Melodians in my August 20th posting.

 

 

 

Posted in 1930s, 1930s Popular Music, British Recordings, Electrical Recordings | 2 Comments