“Amina (Egyptian Serenade)”

Victor 31771

 

“Amina (Egyptian Serenade)”
Sousa’s Band
1909 (Victor 31771)
Sousa’s Band – Amina]

Here is a single sided 12 inch record featuring a song that was written in 1907 by German composer Paul Lincke.

The artist credit on the label is John Phillip Sousa’s band.   But Sousa disliked recorded music so he was almost never present for recording sessions.  Sousa’s assistant conductor, Arthur Pryor, usually directed the band in the recording studio.  On this recording session, however, the conductor is Walter B. Rogers who was, at the time,  Victor’s in-house music director.

Posted in 1900s, Acoustic Recordings, American Recordings, Salon Music, Uncategorized | 1 Comment

Duke Ellington And His Cotton Club Orchestra

Victor 22614-A

 

“Keep A Song In Your Soul”
Duke Ellington And His Cotton Club Orchestra; Chick Bullock, vocal
1931  (Victor 22614-A)
Duke Ellington And His Cotton Club Orchestra – Keep A Song In Your Soul]

“The River And Me”
Duke Ellington And His Cotton Club Orchestra; Chick Bullock, vocal
1931 (Victor 22614-B)
Duke Ellington And His Cotton Club Orchestra – The River And Me]

Here are two of six songs that Chick Bullock recorded with Duke Ellington’s Orchestra in January 1931.   The selections featured here come from a January 16 recording session for Victor.   A few days earlier on January 10, Ellington and Bullock had a recording session for the ARC labels under the pseudonym of “The Whoopee Makers.”  Ellington’s contract with Victor did not prohibit him from recording for rival labels – only from doing so under the name of “Duke Ellington.”

Posted in 1930s, 1930s Popular Music, American Recordings, Electrical Recordings | Leave a comment

“Tales Of Hoffmann – Doll Song”

Victor 77482

 

“Tales Of Hoffmann – Doll Song”
Mabel Garrison, vocal
1916 (Victor 74482)
Mabel Garrison – Tales of Hoffmann Doll Song]

 

Here is a record I have owned since I was a child – it was one of my very first opera 78 rpms and is, to this day, one that I still listen to regularly.  The selection comes from Jacques Offenbach’s opera The Tales of Hoffmann.  You can find information about Mabel Garrison here.   Not credited on the label is Francis J. Lapitino playing harp with Rosario Bourdon conducting the orchestra.

I featured this record back in the late ’90s on my since discontinued Virtual Talking Machine website.   Since I have much better recording equipment than I did back then, I thought it was worthy of featuring a redigitzed version.

Posted in 1910s, Acoustic Recordings, American Recordings, Opera | Leave a comment

Harry Jacobson

Edison Bell Radio 1418

 

“Sweeping The Clouds Away”
Harry Jacobson (The Crooning Pianist)
1930 (Edison Bell Radio 1418 mx 89883)
Harry Jacobson – Sweeping The Clouds Away]

 

“Any Time’s The Time To Fall In Love”
Harry Jacobson (The Crooning Pianist)
1930 (Edison Bell Radio 1418 mx 89825)
Harry Jacobson – Any Times The Time To Fall In Love]

 

Here are two songs introduced in the 1930 film Paramount On Parade.

Harry Jacobson was a South African born pianist and vocalist who worked as a sideman  for several 1930s British dance bands such as Alfredo (Gill) And His Orchestra, The Savoy Orpheans and Ray Noble’s Orchestra and played the piano on many Gracie Fields recordings.   Jacobson was also the uncle of 1930s child star Sybil Jason.

 

Posted in 1930s, 1930s Popular Music, British Recordings, Electrical Recordings, Film Music | Leave a comment

“Alone In The Rain” – Nat Lewis’ Dance Band 1930

Broadcast 565B

 

“Alone In The Rain”
Nat Lewis’ Dance Band
1930  (Broadcast 565 B)
Nat Lewis’ Dance Band – Alone In The Rain]

 

In my recent posting on Harry Bidgood And His Broadcasters I mentioned that one of the pseudonyms that Bidgood sometimes recorded under for the Broadcast label was Nat Lewis’ Dance Band.  Here is an example of such a recording.

“Alone In The Rain” was introduced in the 1930 Pathé film The Grand Parade which starred Helen Twelvetrees. The film is believed to be lost.

My favorite part of this record comes immediately after the vocal when the band suddenly finishes out the recording with an entirely different song from the same film, “Moanin’ For You.”

Posted in 1930s, 1930s Popular Music, British Recordings, Electrical Recordings, Film Music | 1 Comment

“Unrequited Love”

Victor 35993 B

 

“Unrequited Love”
International Orchestra
1929 (Victor 35993 B)
International Orchestra – Unrequited Love]

Here is a charming and buoyant waltz composed in 1898 by the prolific German composer Paul Lincke.   The original German title of the song is “Verschmähte Liebe.”

International Orchestra was an ensemble of in-house Victor studio musicians led by the company’s music director Nat Shilkret.

If you look at the label image, near the bottom you will see “Victor Talking Machine Division – Radio-victor Corporation of America.”  This reflects the recent purchase of the Victor Talking Machine Company by RCA.  While the acquisition took place in 1929, the name change was not reflected on the label until early 1930.  By late 1930 the awkward sounding name was changed to RCA Victor Company, Inc.  So this indicates that my copy was pressed sometime during the spring or summer of 1930.

Posted in 1920s, American Recordings, Electrical Recordings, Salon Music | 1 Comment

“Don’t Say Goodbye”

 

Imperial 2457

“Don’t Say Goodbye”
Jack Hylton And His Orchestra; Pat O’Malley, vocal
1932 ( Decca F 3213 mx GB 5022)
Jack Hylton And His Orchestra – Don’t Say Goodbye]

“You Just You”
Jack Hylton And His Orchestra; Olive Groves, vocal
1932 ( Decca F 3213 mx GB 5019)
Jack Hylton And His Orchestra – You Just You]

“Your Eyes”
Jay Wilbur And His Band; Les Allen, vocal
1931 ( Imperial 2457 mx 5675)
Jay Wilbur And His Band – Your Eyes]

“It Would Be Wonderful”
Jay Wilbur And His Band; Les Allen, vocal
1931 ( Imperial 2457 mx 5676)
Jay Wilbur And His Band – It Would Be Wonderful]

Unlike today when most big time musical acts tend to write and perform their own music, during the 1920s through 1940s decades most of the popular dance bands played from a similar repertoire of songs.   Popular tunes at the time tended to originate from either the large Tin Pan Alley type music publishing houses or from works written for the musical theatre or motion pictures.

Yesterday’s update featured a light opera company performing selections from the 1931 British version of the operetta The White Horse Inn.    This update is a follow up featuring popular versions of  songs from the same production performed by two prominent British dance bands.   Two of the songs presented here “Don’t Say Goodbye” and “You And You” were not featured on yesterday’s medley recording.

Unfortunately, I do not have as much access to discographical information about British recordings as I do American ones and, as a result, I have been able to locate the vocal credit for only one of the recordings, “Don’t Say Goodbye.”   If anyone reading this has access to vocal information for the rest of the recordings, please feel free to share it by posting a comment.  I am especially curious as to the name of the singer on “You Just You.”

Update:  Added missing vocal credits on all “You And You” plus the two Jay Wilbur sides.   Thank you to Harold A for the comment providing the relevant Brian Rust discographical information.

 

Posted in 1930s, 1930s Popular Music, British Recordings, Broadway, Electrical Recordings, Operetta | 9 Comments

The White Horse Inn

HMV C2229

 

“From Erik Charell’s White Horse Inn  Part 1″
Light Opera Company’
1931 (HMV C.2229 mx 32-2159)
Light Opera Company – From Erik Charell’s White Horse Inn Part 1]

“From Erik Charell’s White Horse Inn Part 2″
Light Opera Company
1931 (HMV C.2229 mx 32-2360)
Light Opera Company – From Erik Charell’s White Horse Inn Part 2]

Here is a medley recording of vocal selections from the highly successful operetta The White Horse Inn.  The operetta is best remembered for its musical score by Ralph Benatzky and Robert Stolz.

The original German production was produced and directed by Erik Charell and premiered as Im weißen Rößl at Berlin’s Großes Schauspielhaus on November 8, 1930.  Charell also produced and directed the London production which opened at the London Coliseum on April 8, 1931.   You can view a program from the London production complete with interesting period advertisements at this link.    When the National Socialists came to power in Germany in 1933, Charell fled to the United States where he later directed the operetta’s Broadway run which opened at the Center Theatre on October 1, 1936.

The performers on this recording are credited only as “Light Opera Company.”  My strong guess is that this ensemble consisted of HMV in-house studio artists.

If you are a regular listener to Radio Dismuke many of the tunes in the medley might sound familiar to you.  That’s because a number of dance bands in both Germany and Britain recorded popular versions of the production’s songs.  In a future update, I will feature some of these dance band versions.

 

Posted in 1930s, 1930s Popular Music, British Recordings, Broadway, Electrical Recordings, Operetta | 1 Comment

Harry Bidgood And His Broadcasters

Broadcast 209 A

“Following You Around”
Harry Bidgood And His Broadcasters
1928 (Broadcast 209 A)
Harry Bidgood And His Broadcasters – Following You Around]

“Are You Happy”
Harry Bidgood And His Broadcasters
1928 (Broadcast 209 B)
Harry Bidgood And His Broadcasters – Are You Happy]

“The Riff Song”
Harry Bidgood And His Broadcasters
1927 (Broadcast 125 mx Z41)
Harry Bidgood And His Broadcasters – The Riff Song]

During the mid to late 1920s Harry Bidgood led the in-house studio band for Vocalion Records in England (its former parent, the American Vocalion label, was acquired by Brunswick in 1925).   In 1927 Vocalion decided to discontinue its namesake label replacing it with the new Broadcast label.   Broadcast records were eight inch (later on, nine inch) records which, through the use of slightly narrower grooves, offered the same playing time as standard sized 10 inch records.

Bidgood also recorded under a number of pseudonyms including The New York Nightbirds, Ciro’s Club Band, The Manhattan Melody Makers, Al Benny’s Broadway Boys, Nat Lewis and his Dance Band and Primo Scala and his Accordion Band.

I very much enjoy the sound of the Bidgood band during this period. The first two selections presented here have lots of great 1920s pep, cheer and charm.   The third song,  “The Riff Song,” comes from the Sigmund Romberg operetta The Desert Song which opened on Broadway in November 1926 with a London production opening in April 1927.

Posted in 1920s, 1920s Popular Music, British Recordings, Broadway, Electrical Recordings | 6 Comments

A Short Pause

No more postings until very late Sunday night.  But I will continue providing links to great stuff elsewhere via my Twitter feed and Facebook wall.

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