“Big Bad Bill (Is Sweet William Now)”

Columbia 226-D

Big Bad Bill (Is Sweet William Now)
Dolly Kay, vocal
1924 (Columbia 226-D mx 140089)
Dolly Kay – Big Bad Bill (Is Sweet William Now)]

Here’s a song that has continued to be performed in recent decades – including by, of all things, the rock band Van Halen.

I don’t have a lot of information about Dolly Kay.  According to RedHotJazz.com she performed in vaudeville and caberets throughout the 1920s.  She recorded for Columbia between 1921 and 1928 with her later recordings being issued on Columbia’s low priced subsidiary labels (Harmony, Diva, Velvet Tone).

Posted in 1920s, 1920s Popular Music, Acoustic Recordings, American Recordings | Leave a comment

“Sans Souci”

StandardDisc A773

“Sans Souci”
Orchestra Bells with Orchestra Accompaniment
1909 (Standard Disc Record A773)
Orchestra Bells – San Souci]

This recording comes from an old Standard Disc Record.   Standard Talking Machine Co. was one of a handful of Chicago based labels which marketed records with non-standard sized spindle holes.   The companies sold and gave away low cost phonographs with oversized spindles with the catch being that only their records would fit on the machine.  (Of course, that did not stop people from drilling out larger spindle holes into more popular records – and thus one will occasionally run across a 1900s or 1910s Victor or Columbia record with a crudely drilled larger hole.).

The records for most of these Chicago based labels were pressed by Columbia and featured content previously released on the Columbia label.  One nice thing about Standard Disc Records is that the catalog numbers on the label are identical with the original Columbia issue which makes it easy to cross reference readily available Columbia discographical information.

The only difference besides the size of the spindle hole between this record – Standard A773 – and Columbia A773 is that the Standard record gives only generic artist credit.   A quick look at the Online Discographical Project shows that Columbia A773 featured Charles Adams (Bells) “Sans Souchi” on one side and Prince’s Orchestra “Dollar Princess Selections” on the other.   (I will feature the “Dollar Princess Selections” side on a future update.)

I have no information as to who Charles Adams might have been.  But Prince’s Orchestra was led by Charles Adams Prince who was Columbia’s music director.  Having no additional information go to on, I would say it is a reasonable guess that “Charles Adams” might have been a pseudonym for Charles Adams Prince.

Unfortunately, I have not been able to locate much information about “Sans Souci.”   No composer credit is listed on the Standard label but the Online Discographical Project entry for the Columbia issues lists it as  Bucalossi.   But there were two composers named Bucalossi:  Procida Bucalossi (1832 – 1918) and his son Ernest Bucalossi (1859 – 1933).  Whoever composed it, I think is very charming.

 

 

Posted in 1900s, Acoustic Recordings, American Recordings, Salon Music | 1 Comment

“Where Is This Lady” / “Tell Me Tonight”

Decca F3224

“Where Is This Lady”
Jack Hylton And His Orchestra; Pat O’Malley, vocal
1932 (Decca F 3224 mx GB 5017)
Jack Hylton And His Orchestra – Where Is This Lady]

 

“Tell Me Tonight”
Jack Hylton And His Orchestra; George Barker, vocal
1932 (Decca F 3224 mx GB 5024)
Jack Hylton And His Orchestra – Tell Me Tonight]

I am very fond of German pop music from the Weimar era – and even from the dark period that followed.   Recently I have  acquired a number of British recordings of German pop songs with English lyrics and will feature some of them in the weeks ahead.

“Where Is This Lady” was originally performed as “Es gibt noch Märchen” by Marta Eggerth in the 1932 German film Es war einmal ein Walzer which featured a soundtrack by the famous operetta composer Franz Lehár.    A British version of the film was released also in 1932 under the title Where Is This Lady in which Marta Eggerth also starred.

Here (sorry, no embedding is allowed on this clip) is a YouTube clip featuring Marta Eggerth singing the German version of the song (the video shown is from a different Eggerth film and not Es war einmal ein Walzer)

As of this writing Marta Eggerth is still alive at age 99.   Here is a remarkable video of her performing at age 82

And in this clip you can hear her perform at age 90!

On the flip side of the Jack Hylton record is “Tell Me Tonight” a song which was first performed as “Heute Nacht oder nie!” in the 1932 German film Das Lied einer Nacht  The film’s music was by Mischa Spilianski.   A British version of the film was made under the title of Tell Me Tonight (it was also known as Be Mine Tonight).  Staring in both the British and German films was Jan Kiepura, a famous Polish tenor who, in 1936, married Marta Eggerth.    Below is a YouTube clip of Kipura performing the song in German

In recent years the song has enjoyed a nice revival by Max Raabe as heard below in this promotional video for the Palast Orchester

 

Posted in 1930s, 1930s Popular Music, British Recordings, Electrical Recordings, Film Music, German Recordings | 3 Comments

Leave It To Jane

Pathe 20284

 

Continue reading

Posted in 1910s, 1910s Popular Music, Acoustic Recordings, American Recordings, Broadway | Leave a comment

Jack Bund And His Bravour Dance Orchestra

Parlophone R1463

“Dancing In The Moonlight”
Jack Bund And His Bravour Dance Band
1933  (Parlophone R1463 mx Be 10176)

Jack Bund And His Bravour Dance Band – Dancing In The Moonlight

 

“Two Guitars”
Jack Bund And His Bravour Dance Band
1933  (Parlophone R1463 mx Be 10153)

Jack Bund And His Bravour Dance Band – The Two Guitars

So where to begin?  I have a huge record collection and I have to pick out just one record as the very first to be featured on my brand new blog.   I’ve decided to make “Dancing In The Moonlight” this blog’s debut recording simply because I think it is one of the more lighthearted recordings that I own.   I acquired this record about a year ago and regular listeners of Radio Dismuke have probably heard both sides in its playlist.

My copy is a British pressing on Parlophone – the original release is on German Odeon titled “Tanz im Mondschein” by Hans Bund’s Bravour-Tanz Orchester.  Perhaps they thought that the name Jack would sell more recordings in England than Hans.

“Tanz im Mondschein”/”Dancing In The Moonlight” is a nice example of novelty piano ragtime – a genre popularized in the United States in the early 1920s by Zez Confrey at the very tail end of the ragtime era.  By the early 1930s the genre seemed to have enjoyed much greater popularity in Germany and Britain than it did in the US.  The song’s composer, Eric Plessow (1899 – 1977)  authored a number of popular German novelty piano compositions.  He also composed under the pseudonym of Ewald Walter.

“The Two Guitars”/”Zwei Gitarren” is also a memorable recording with a nice Eastern European sort of sound to it.

– – –

Between updates here, I will also be sending out recommendations and links to 78 rpm era recordings elsewhere on the Internet via my Twitter Account.  My most recent tweets will also display in the “Recent Tweets” section on the right hand column of the screen.

 

Posted in 1930s, 1930s Popular Music, Electrical Recordings, German Recordings, Ragtime | 7 Comments

Welcome

Welcome to my new blog.

This blog is the successor to my Hit of the Week Updates which I maintained from 1999 through 2010.    Let’s just say that any website that was started in 1999 and has not had significant upgrades beyond the actual content is starting to show its age.

When I first started the Hit of the Week most people still connected to the Internet with dial up and RealAudio was the best and most commonly used format for anyone who wished to stream audio over low bandwidth connections.  And whenever I posted a Hit of the Week update, I had to generate the html and manually archive my previous posting.    Towards the end, I added an RSS feed – which I had to manually create for each and every posting.

The software that powers my  new blog will automate a lot of the work that I had to do every time I posted and will, hopefully, enable me to post more frequently than I was able to during the final year or so of the Hit of the Week updates.

Another thing that will save time and enable me to post more frequently is a slight change in format.  Rather than every update featuring multiple popular music recordings and a short essay plus an “extra” section featuring multiple recordings from different musical genres and an additional essay, postings here will usually feature less commentary and fewer recordings per posting.

Finally, I am pairing this blog with a Twitter account from I will be sending out frequent “tweets” recommending and linking to the same sort of music that others are making available on the web.  The nice thing about posting to Twitter is it only takes less than a minute to do so.  So if things become too busy and I do not have time to put up a posting here, chances are good that I will at least have time to post something to Twitter.

If you do not have a Twitter account of your own, you can still follow mine either by going to my Twitter Page or by following the Recent Tweets section in the right hand column of this blog.

My new blog also comes with all sorts of neat bells and whistles.  The icons you will see after each posting will enable you to share and pass it along to friends either though email or various social networking sites – a great way that you can help to bring any recordings here you especially like to the wider audience that they deserve.

The blog also, by default, also includes comments.  For now, I am going to leave the comments feature turned on to see how well they work out.  If I end up having to spend too much time weeding out spam I might, unfortunately, have no choice but to turn the comments off.

Also, just so that there are no potentially hard feelings –  please do not be offended if I fail to reply back to any comments.   This blog is a hobby – something that I do in my free time.   There are times when my real world commitments and various necessary chores and errands crowd out the time I can responsibly spend on my various hobbies.

Nevertheless, this is a hobby that I get a great deal of enjoyment from and through which I have met many wonderful people.   Over the past year I became so busy with other projects that something had to give – and I decided that it would have to be the Hit of the Week updates so that I would at least still have time to work on Radio Dismuke.   But I did enjoy putting the Hit of the Week updates together and have missed doing so.   I hope to get similar enjoyment from this new blog – and hope that those who followed and enjoyed my Hit of the Week updates over the years will as well.

Posted in Blog News | 7 Comments