“Naval Cadets March” / “Albinos Polka”

“Naval Cadets March”
Bell Solo With Band
circa 1918 (Columbia E4060 mx 29377)
Bell Solo With Band – Navel Cadets March]

“Albinos Polka”
Xylophone Solo With Band
circa 1918 (Columbia E4060 mx 84229)
Xylophone Solo With Band – Albinos Polka]

Here is a very charming record I picked up in a used book store the other night for the princely sum of 33 cents.   It is not in the best of shape – but it is hard to complain at the price.   Happily, my audio restoration equipment was able to clean it up enough to at least be able to provide an enjoyable performance.

The record is from Columbia’s green label E series of ethic records – and, as you may have already observed, the green label with gold type makes the label scan difficult to read.

I am fond of both selections on this record. Unfortunately, I have been unable to locate much in the way of information about exactly when it was recorded or who the anonymous band might have been.  Nor is any composer credit provided for either song.

None of my record dating reference materials provide listings for Columbia’s E series and the matrix numbers are from non-standard series as well.  I was able to find the above Columbia Records advertisement from the January 10, 1919 El Paso Herald which mentions the record as a mid-month release.   For the record to have hit stores in mid-January, 1919 it is safe to assume that the recordings were made no later than sometime in late 1918 – though it is possible they might have been recorded earlier.

The Library of Congress has a 1918 copyright listing for an “Albinos Polka” composed by Carl Woess, a prolific but almost completely forgotten early 20th century composer.   My strong assumption is this is the same song.

An article in the May 31, 1892 New York Times mentions a “Naval Cadet March” being performed by Charles A Zimmerman directing the US Naval Academy Band.  The article credited Zimmerman as the song’s composer.   I have no way to verify whether this is the same song as on the record – but I think it is quite possible.

Posted in 1910s, Acoustic Recordings, American Recordings | 4 Comments

Joe Taub & His Melodians – 1933 & 1934

Eclipse 596

“How Can I Hope To Go On?”
Joe Taub And His Melodians
1933 (Eclipse 560-B mx JW1563)
Joe Taub And His Melodians – How Can I Hope To Go On]

“Thanks”
Joe Taub And His Melodians
1933 (Eclipse 560-A mx JW1582)
Joe Taub And His Melodians – Thanks]

“How Happy I Could Be”
Joe Taub And His Melodians
1934 (Eclipse 596-B mx 1643)
Joe Taub And His Melodians – How Happy I Could Be]

“Without That Certain Thing”
Joe Taub And His Melodians
1934 (Eclipse 596-A mx 1642)
Joe Taub And His Melodians – Without That Certain Thing]

Here are four selections by the Harry Leader band under the recording pseudonym Joe Taub And His Melodians.  I previously featured two additional recordings by Joe Taub And His Melodians in my August 20th posting.

 

 

 

Posted in 1930s, 1930s Popular Music, British Recordings, Electrical Recordings | 2 Comments

Arnold Földesy, Boris Kroyt And Karol Szreter

Odeon AA79537

“Frühlingslied”
Prof. Arnold Földesy, cello; Boris Kroyt, violin; Karol Szreter, piano
1924 ( Odeon AA-79537 mx XXB 7000)
Prof Arnold Foldesy and Boris Kroyt – Fruhlingslied]

“Träumerei”
Prof. Arnold Földesy, cello; Boris Kroyt, violin; Karol Szreter, piano
1924 (Odeon-AA 79538 mx XXR 7001)
Prof Arnold Foldesy and Boris Kroyt – Traumeri]

Here are a couple of well-known compositions by two German composers of the early Romantic era.

“Frühlingslied” or “Spring Song” is from Felix Mendelssohn’s Songs Without Words (Book 5 Op. 62 No. 6).

“Träumerei”comes from Robert Schumann’s  Kinderszenen (Scenes From Childhood) (Op. 15 No. 7)

Performing are three musicians who were well known in early 20th century Europe: Hungarian cellist Arnold Földesy, Russian violinist Boris Kroyt who later played viola for the Budapest String Quartette from 1936 – 1967 and Polish pianist Karol Szreter.

The label credits Szreter as performing on a Schwechtenfügel,  a grand piano made by the highly regarded Berlin piano manufacturer G Schwechten.

Posted in 1920s, Acoustic Recordings, Classical, German Recordings | Leave a comment

Radio Rhythm Boys – 1931

“Wedding Of The Three Blind Mice”
Radio Rhythm Boys
1931 (Edison Bell Radio 1517 mx 90169)
Radio Rhythm Boys – Wedding Of The Three Blind Mice]

Here is a catchy song from an 8 inch Edison Bell Radio disc.  The Radio Rhythm Boys was a recording pseudonym for Henry Hudson’s Melody Men.

Posted in 1930s, 1930s Popular Music, British Recordings, Electrical Recordings | 1 Comment

Gems From “Whoopee!”/”The New Moon”

“Gems From Whoopee”
Victor Light Opera Company
1929 (Victor 35969-B)
Victor Light Opera Company – Gems From Whoopee]

“Gems From The New Moon”
Victor Light Opera Company
1929 (Victor 35969-A)
Victor Light Opera Company – Gems From The New Moon]

The Victor Light Opera Company was an ensemble of Victor in-house vocalists performing selections from popular operettas and musicals.  Here they perform selections from a couple of well-known late ’20s productions.

Whoopee! enjoyed 407 Broadway performances running between December 1928 and November 1929.   It was also made into a 1930 movie musical.  Eddie Cantor starred in both the Broadway and film versions.

The New Moon, with music by Sigmund Romberg ran from September 1928 through December 1929 for a total of 509 performances.  As with Whoopee! a film version was released in 1930.

Posted in 1920s, 1920s Popular Music, American Recordings, Broadway, Electrical Recordings, Film Music, Operetta, Uncategorized | Leave a comment

Viola McCoy With Fletcher Henderson’s Jazz Five – 1924

Brunswick -2591

“I Ain’t Gonna Marry Ain’t Gonna Settle Down”
Viola McCoy with Fletcher Henderson’s Jazz Five
1924 (Brunswick 2591 A)
Viola McCoy with Fletcher Henderson’s Jazz Five – I Ain’t Gonna Marry Ain’t Gonna Settle Down]

“If Your Good Man Quits You Don’t Wear No Black”
Viola McCoy with Fletcher Henderson’s Jazz Five
1924 (Brunswick 2591 B)
Viola McCoy with Fletcher Henderson’s Jazz Five – If Your Good Man Quits You Don’t Wear No Black]

Viola McCoy was an early female blues singer who performed in various 1920s and 1930s era New York City cabarets and musical revues.   Between 1923 and 1929 she was prolific in the recording studios making records for a number of labels.    On both selections featured here she is accompanied by members of Fletcher Henderson’s band,  one of the era’s top black jazz bands.

Posted in 1920s, 1920s Popular Music, Acoustic Recordings, American Recordings | Leave a comment

Al Katz And His Orchestra 1929

Columbia 1997-D

“My Wife Is On A Diet”
Al Katz & His Orch
1929 (Columbia 1997-D mx 149086)
Al Katz & His Orch – My Wife Is On A Diet]

“I Lift Up My Finger And Say Tweet Tweet”
Al Katz & His Orch
1929 (Columbia 1997-D mx 149085)
Al Katz & His Orch – I Lift Up My Finger And Say Tweet Tweet]

The Al Katz Orchestra – also known as Al Katz and His Kittens – was a Chicago based band that specialized in novelty songs such as the two featured here.  The band’s heyday was the late 1920s when it toured throughout the Midwest and made a handful of recordings for Victor and Columbia.

Posted in 1920s, 1920s Popular Music, Electrical Recordings | Leave a comment

Tempo King And His Kings of Tempo 1936

Bluebird B-6688

“An Apple A Day”
Tempo King And His Kings Of Tempo
Queenie Ada Rubin, piano; Tempo King, vocal
1936 (Bluebird B-6688-B)
Tempo King And His Kings Of Tempo – An Apple A Day]

“Something Has Happened To Me”
Tempo King And His Kings of Tempo
Queenie Ada Rubin, piano; Tempo King, vocal
1936 (Bluebird B-6688-A)
Tempo King And His Kings of Tempo – Something Has Happened To Me]

Tempo King and His Kings of Tempo was a group clearly patterned after Fats Waller with Tempo King providing the vocals and Queenie Ada Rubin playing a convincing Waller-like stride piano.

Despite the fact that the group recorded a few dozen sides for Bluebird and Vocalion in 1936 and 1937  very little biographical information about either artist seems to have survived.

I did manage to find online through a Google book search that Tempo King was born in 1915,  made his reputation while in Florida and died while rehearsing a new band in New York City in 1939 of “intestinal complications.”

The only information that I was able to find about Queenie Ada Rubin was that she was based out of New York and was active in the swing era Fifty-second Street jazz clubs.

Posted in 1930s, 1930s Popular Music, Electrical Recordings | 2 Comments

Fess Williams And His Royal Flush Orchestra

Victor V-38077

“Hot Town”
Fess Williams And His Royal Flush Orchestra
1929 (Victor V-38077 -A)
Fess Williams And His Royal Flush Orchestra – Hot Town]

“Kentucky Blues”
Fess Williams And His Royal Flush Orchestra
1929 (Victor V-38077-B
Fess Williams And His Royal Flush Orchestra – Kentucky Blues]

Fess Williams was sometimes called “the black Ted Lewis”  because of the similarity of their clarinet playing and the fact that both performed wearing a top hat.

“Hot Town” was William’s own composition and his most successful selling record.

Posted in 1920s, 1920s Popular Music, Electrical Recordings | Leave a comment

Two Famous Neapolitian Songs

Victor - 16899

“Funiculi Funicula”
Vessella’s Italian Band
1911 (Victor 16899-A)
Vessella’s Italian Band – Funiculi Funicula]

“O Sole Mio”
Michele Rinaldi cornet solo with Vessella’s Italian Band
1911 (Victor 16899-B)
Michele Rinaldi – O Sole Mio]

Here are two famous late 19th century Neapolitan songs – a genre that I am fond of.

Funiculi Funicula” was composed in 1880 to commemorate the opening of a funicular railroad that ran up Mount Vesuvius until it was destroyed by the volcano’s 1944 eruption.

O Sole Mio” was composed in 1898.

Vessella’s Italian Band recorded for Victor, Brunswick and Edison.  Its leader, Oreste Vessella was born in Italy in 1882 and emigrated to the United States in 1901.

 

Posted in 1910s, Acoustic Recordings, Ethnic Recordings | 1 Comment