Texas Record Collectors’ Party Broadcast This Weekend

This weekend the 2011 Texas Record Collectors’ Party broadcast will air on Radio Dismuke starting at 9:00 AM Central time Saturday.  The broadcast is six hours in length and will run in continuous rotation all day Saturday and all day Sunday.   The program features myself, Eddie The Collector, Matt From College Station, Eric From Dallas and Christian From Fort Worth taking turns and playing fun and interesting 1920s and 1930s 78 rpms from our respective collections.  LOTS of great music is in store for you on the broadcast – so tune in if you get a chance.

For more information and for program start times in your timezone, visit the Radio Dismuke website at www.RadioDismuke.com

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Another Status Update & Nauck’s Broadcast

My last status update stated that I had hoped to resume posting towards the end of last week.  That was before I discovered that the Radio Dismuke broadcast server had been compromised by a hacker.  I ended up having to erase the hard drive on the server and temporarily source the broadcast from my laptop computer.  I then had to devote two of my evenings after work to reinstalling all of the broadcast software and uploading the station’s music library.   So that took up any time I had for blogging.

The previous weekend a nasty case of food poisoning and/or a stomach virus of some sort significantly limited my activities.  So this past weekend was largely devoted to taking care of various chores and errands that had been neglected the previous weekend.

In short, I have had some unplanned time crunches.

On a different note,  for those who follow this blog but do not tune into Radio Dismuke very often, this upcoming weekend October 29 and October 30 as well as Saturday November 5th the twelfth semi-annual Nauck’s Vintage Records broadcast with Kurt Nauck will air.   The broadcast features a large variety of vintage disc and cylinder records from the over 10,000 records in Nauck’s current auction.    The broadcast will cover a wide rage of vintage musical genres beyond Radio Dismuke’s normal 1920s & 1930s popular music and jazz format.  For more information about the broadcast, click here.

It is still my intention to resume posting soon.

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Recent Lack of Postings

It has not been my intention to go this long without any new postings.  But various things have popped up over the past few weeks that ended up taking over the time I would normally have used for posting.   My hope is to return to a more regular posting schedule towards the end of this week.

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Sleepy Hall And His Collegians

Melotone M12311Variety VA 583

 

“Between The Devil And The Deep Blue Sea”
Sleepy Hall And His Collegians; Paul Small, vocal
1931 (Melotone M 12292)
Sleepy Hall & His Collegians – Between The Devil And The Deep Blue Sea]

“Fate Introduced Me To You”
Sleepy Hall And His Collegians; Paul Small, vocal
1931 (Melotone M 12292)
Sleepy Hall & His Collegians – Fate Introduced Me To You]

“Come To Me”
Sleepy Hall And His Collegians; Elmer Feldkamp, vocal
1931 (Melotone M 12217)
Sleepy Hall And His Collegians – Come To Me]

“Within This Heart Of Mine”
Sleepy Hall And His Collegians; Elmer Feldkamp, vocal
1931 (Melotone M 12217)
Sleepy Hall And His Collegians – Within This Heart Of Mine]

“I’m With You”
Sleepy Hall And His Collegians; Tony Sacco, vocal
1931 (Melotone M 12236)
Sleepy Hall And His Collegians – I’m With You]

“I Don’t Know Why”
Sleepy Hall And His Collegians; Russ Lyon, vocal
1931 (Melotone M 12236)
Sleepy Hall And His Collegians – I Don’t Know Why]

“Dancing On The Ceiling”
Sleepy Hall And His Collegian; Tony Starr, vocal
1932 (Melotone M 12311)
Sleepy Hall And His Collegians – Dancing On The Ceiling]

“The Wooden Soldier And The China Doll”
Sleepy Hall And His Collegian; Tony Starr, vocal
1932 (Melotone M 12311)
Sleepy Hall And His Collegians – The Wooden Soldier And The China Doll]

“One Hour With You”
Sleepy Hall & His Collegians; Smith Ballew, vocal
1932 (Melotone  M 12331)
Sleepy Hall & His Collegians – One Hour With You]

“We Will Always Be Sweethearts”
Sleepy Hall & His Collegians; Andrea Marsh, vocal
1932 (Melotone M 12331)
Sleepy Hall & His Collegians – We Will Always Be Sweethearts]

“Gosh Darn”
Sleepy Hall & His Collegians; Bill Coty, Harold van Emburgh, vocal
1932 (Melotone M 12355)
Sleepy Hall & His Collegians – Gosh Darn]

“The Roses Are Red The Violets Are Blue”
Sleepy Hall & His Collegians; Harold van Emburgh, vocal
1932 (Melotone M 12355)
Sleepy Hall & His Collegians – The Roses Are Red The Violets Are Blue]

“Sleepy Time Gal”
Sleepy Hall And His Orchestra; Sleepy Hall, vocal
1937 (Variety VA583 mx M485)
Sleepy Hall And His Orchestra – Sleepy Time Gal]

“That Old Oaken Bucket”
Sleepy Hall And His Orchestra; Paul Dillon, vocal
1937 (Variety VA583 mx M486)
Sleepy Hall And His Orchestra – That Old Oaken Bucket]

“Sleepy Hall And His Collegians” was a recording pseudonym for the in-house studio orchestra on Brunswick’s budget priced Melotone subsidiary label.   The use of recording pseudonyms was extremely common on bargain labels in the ’20s and early ’30s.  To buy a recording of a big name artist one had to pay full price of 75 cents verses 35 cents (or three for a dollar) for most bargain labels.

Sometimes recording pseudonyms were named after actual musicians who very often had little or even no participation in the recordings issued under their name. This seems to have been the case with Sleepy Hall And His Collegians.   There actually was a musician known as Sleepy Hall – he was a banjoist whose real name was John Nelson.  But any connection between the real life Sleepy Hall and these Melotone recordings is apparently either non-existent or unknown.

The last two recordings come from the late 1930s Variety label, a short-lived label founded by music publisher Irving Mills.   According to Brian Rust’s American Dance Band Discography, no details are known about the personnel involved in the recording session.   However, by 1937, the use of recording pseudonyms had largely faded away as a result of Decca’s 1934 entry into the American market offering recordings by name artists for 35 cents.  This makes me wonder if perhaps the real Sleepy Hall was the bandleader and vocalist credited on the label.

Posted in 1930s, 1930s Popular Music, American Recordings, Electrical Recordings | 3 Comments

The White Horse Inn – Selections

Decca F 2869

“The White Horse Inn Selections Part 1”
Orlando And His Orchestra
1932 (Decca F 2869 mx 4203br)
Orlando And His Orchestra – The White Horse Inn Selections Part 1]

” The White Horse Inn Selections Part 2″
Orlando And His Orchestra
1932 (Decca F 2869 mx 4205br)
Orlando And His Orchestra – The White Horse Inn Selections Part 2]

In my August 9th update I featured a vocal medley of selections from the Ralph Bernatzky/Robert Stolz operetta The White Horse Inn which was very popular in both Germany and Great Britain.   Here is an instrumental medley of songs from the same production led by British bandleader Joe Orlando.

I am not sure if the odd, high pitched “ya ha ha ha haaaa!” howl heard near the beginning of both sides was part of the original production.  I am not  even sure what the correct term would be to describe it.  It is a vocal effect that I have sometimes heard in recordings played on a ranchera music radio station I can pick up in the evenings out of Mexico.   A friend suggests that it is an example of yodeling – but it sounds different from what I have always thought of as yodeling and of the examples of yodeling I was able to find online.   Perhaps someone reading this knows what it is called and can share the information in the comments.

 

Posted in 1930s, British Recordings, Electrical Recordings, Operetta | 6 Comments

Two Songs From Die Drei von der Tankstelle – 1930

Disco Gramophono AE3682

 

“Darling” (“Liebling, mein Herz läßt Dich grüßen”)
Orquesta Marek Weber
1930 ( Disco Gramofono AE 3682 mx  BDR 8958)
Orquesta Marek Weber – Darling]

“Un Buen Amigo” (“Ein Freund ein guter Freund”)
Orquesta Marek Weber
1930 ( Disco Gramofono AE 3682 mx  BDR 8957)
Orquesta Marek Weber – Un Buen Amigo]

Here are two songs from the 1930 German film Die Drei von der Tankstelle which starred Lilian HarveyWilly Fritsch and Oskar Karlweis.   These recordings were made in Germany but my copy was issued in Spain.  I have posted the recording credits as they appear on the label with the original German song titles in parenthesis.

I think “Liebling, mein Herz läßt Dich grüßen” is a very pretty song and this arrangement by the Marek Weber band is top notch.  You can watch a YouTube clip of the scene in which the song was originally performed in the film at this link.  You can watch the film performance of “Ein Freund ein guter Freund” at this link.

Posted in 1930s, 1930s Popular Music, Electrical Recordings, Film Music, German Recordings | 3 Comments

Ramon Newton

Broadcast 318-A

“Virginia (There’s A Blue Ridge In My Heart)”
Ramon Newton
1929 ( Broadcast 318-A)
Ramon Newton – Virginia]

Cyril Ramon Newton was a British vocalist, violinist and bandleader.   He is probably best remembered for his vocals on recordings by the Savoy Havana Band.   He also performed with the Savoy Orpheans and briefly led the band after the departure of its founder Debroy Somers.

Now credit is given for the band that accompanies Newton.  But a good guess is that it was likely directed by Henry Bidgood who led the Broadcast label’s in-house band.

Posted in 1920s, 1920s Popular Music, British Recordings, Electrical Recordings | 2 Comments

Marion Harris 1924

Brunswick 2672

 

“Go Emmaline”
Marion Harris
1924 (Brunswick 2672-B)
Marion Harris – Go Emmaline]

“Wanted Someone To Love”
Marion Harris
1924 (Brunswick 2672-A)
Marion Harris – Wanted Someone To Love]

Here are a couple of recordings by Marion Harris who is regarded as the first white female vocalist to sing jazz and blues – something that, at the time, was not considered “respectable” for ladies to do.

I think “Go Emmaline” is a catchy song and it is one that I enjoy hearing different versions of.

Posted in 1920s, 1920s Popular Music, Acoustic Recordings, American Recordings | 2 Comments

Ethel Smith

Decca 23353

“Tico Tico”
Ethel Smith
1944 (Decca 23353-A mx L 3423)
Ethel Smith – Tico Tico]

“1 Lero Lero /2 Bem Te Vi Atrevido”
Ethel Smith
1944 (Decca 23353-A mx L 3425)
Ethel Smith – 1 Lero Lero 2 Bem Te Vi Atrevido]

“The Parrot (On The Fortune Teller’s Hat)”
Ethel Smith
1945 (Decca 23462-A mx 72963)
Ethel Smith – The Parrot]

“Dinorah”
Ethel Smith
1946 ( Decca 23549-B mx 73291)
Ethel Smith – Dinorah]

These particular recordings have a certain sentimental value to me.  They come from a four 78 rpm album set entitled Ethel Smith Souvenir Album.  The very first 78 rpm record purchase I made when I was a child was that album which contained three of the four original records plus a different Ethel Smith record that was not part of the album set.  I purchased them in a charity garage sale and paid a grand total of ten cents for all of them.   I still have the album book but all of the records in it managed to get broken over the years.    Last year I obtained another copy of the album set with all four of the records.    I can’t say that the Ethel Smith records were what spurred my interest in vintage recordings – a program on a local radio station is what started that.    But I thought the records were very cool because someone told me that they were “antiques” and because I finally had something to play using the 78 rpm speed on my turntable which I had previously used only to make “normal” speed records sound funny.

Ethel Smith was an organist who became popular in the 1940s.  Her recording of “Tico Tico” – a song which she performed in the 1944 MGM film Bathing Beauty – sold over a million copies.  You can watch a clip from Bathing Beauty on YouTube of Smith performing “Tico Tico” at this link.

Posted in 1940s, American Recordings, Electrical Recordings | 3 Comments

Hal Kemp & His Orchestra – Late ’30s/Early ’40s

Victor 25651

“Got A Date With An Angel”
Hal Kemp And His Orchestra
Skinnay Ennis, vocal
1937 ( Victor 25651-A)
Hal Kemp And His Orchestra – Got A Date With An Angel]

“Lamplight”
Hal Kemp And His Orchestra
Skinnay Ennis, vocal
1937 ( Victor 25651-B)
Hal Kemp And His Orchestra – Lamplight]

“You And Me”
Hal Kemp And His Orchestra
Judy Starr, vocal
1938 ( Victor 25869-A)
Hal Kemp And His Orchestra – You And Me]

“So Lovely”
Hal Kemp And His Orchestra
Bob Allen, vocal
1938 ( Victor 25869-B)
Hal Kemp And His Orchestra – So Lovely]

“I Never Knew Heaven Could Speak”
Hal Kemp And His Orchestra
Bob Allen, vocal
1939 ( Victor 26194-A)
Hal Kemp And His Orchestra – I Never Knew Heaven Could Speak]

“Have A Heart”
Hal Kemp And His Orchestra
Bob Allen, vocal
1939 ( Victor 26194-A)
Hal Kemp And His Orchestra – Have A Heart]

“Last Night”
Hal Kemp And His Orchestra
Bob Allen, vocal
1939 ( Victor 26397-A)
Hal Kemp And His Orchestra – Last Night]

“Many Dreams Ago”
Hal Kemp And His Orchestra
Nan Wynn, vocal
1939 ( Victor 26397-B)
Hal Kemp And His Orchestra – Many Dreams Ago]

“The Lady With Red Hair”
Hal Kemp And His Orchestra
Bob Allen, vocal
1940 ( Victor 27203-B)
Hal Kemp And His Orchestra – The Lady With Red Hair]

“The Moon Fell In The River”
Hal Kemp And His Orchestra
Bob Allen, vocal
1940 ( Victor 27203-A)
Hal Kemp And His Orchestra – The Moon Fell In The River]

A recent update featured several recordings by Hal Kemp and His Orchestra from 1931.   Here are some more by the same band but from later in the decade.

During the 1920s and 1930s trends in popular music evolved very rapidly – much more so than in recent decades.  In an era when there were far fewer radio stations (and very few that devoted their entire broadcast day to music) and records were expensive to remain commercially viable in either medium required most bands to keep up with and follow those trends.

This is why those who might enjoy a ’20s or ’30s recording by a particular band on Radio Dismuke and seek additional recordings by the band on CD reissue should exercise caution before spending too much money.   A number of ’20s and ’30s era artists remained active and even continued to record into the ’60s and ’70s.    A recording from the ’40s or ’50s by the same band whose 1920s recordings you enjoy is likely to have a very different sound – and, quite possibly, a sound you will not particularly enjoy.

In these recordings made after Kemp changed his recording affiliation to Victor in June, 1937 the band’s transformation from a predominantly “hot” Jazz Age band into a predominantly “sweet” band of the big band era is complete.

“Got A Date With An Angel” was Hal Kemp’s opening radio theme song.   It was also the theme song for vocalist Skinnay Ennis after he left the Kemp band and formed his own band in 1938.   This recording is a very close remake of a 1934 recording of the song that Kemp and Ennis made on Brunswick and is, therefore,  a bit different stylistically than the rest.

Sadly, Kemp was killed as a result of a car accident in December 1940 while driving in heavy fog from Los Angeles to an engagement in San Francisco.

9/17/11 Edit:  Added “The Lady With Red Hair” and “The Moon Fell In The River” both of which I had prepared for this posting but initially forgot to include.

Posted in 1930s, 1930s Popular Music, American Recordings, Electrical Recordings | 2 Comments