Josephine Bradley And Her Ballroom Orchestra

Decca MW323

 

“We’ll Gather Lilacs”
Josephine Bradley And Her Ballroom Orchestra
1945 (Decca MW.323 mx DR 9336)
Josephine Bradley And Her Ballroom Orchestra – We’ll Gather Lilacs]

“Wouldn’t It Be Nice”
Josephine Bradley And Her Ballroom Orchestra
1945 (Decca MW.323 mx DR 9337)
Josephine Bradley And Her Ballroom Orchestra – Wouldn’t It Be Nice]

Here is a record from English Decca’s special “Music While You Work” series which was issued between 1943 and 1947.    The series was named after the BBC radio program Music While You Work which debuted in 1940.   The purpose of the program was to provide periods of uninterrupted on-the-job music to war time factory workers as a means of boosting morale and productivity.  The daily half-hour program was broadcast live and was so well received with both the factory workers and the general public that it eventually offered a morning, afternoon and late night edition.    The program outlasted the war by more than two decades with its last broadcast airing in 1967.

Because of the radio program’s success in the factories, some factory owners began using public address systems to broadcast phonograph records to their workers.   Decca’s Music While You Work series was created to provide music suitable for that purpose – though the records were also available for purchase by the general public.

Josephine Bradley was a famous ballroom dancer and instructor.  Her recordings were designed to provide strict tempo music for dances and dance schools – and, in this case, apparently for factory work as well.    Both of these recordings are very similar in style to those of another dance instructor/bandleader, Victor Sylvester, who I will feature in a future update.

Posted in 1940s, 1940s Popular Music, British Recordings, Electrical Recordings | 1 Comment

“In Wintertime Waltz”

 

“In Wintertime Waltz”
McKee’s Orchestra
1915 (Victor 35511 B)
McKee’s Orchestra – In Wintertime Waltz]

 

Here is a charming waltz composed by Frank W. McKee and performed by his orchestra.    I have not been able to find much information about McKee.    He composed a number of waltzes and conducted around 30 sides for Victor between 1914 and 1917.

McKee also recorded six sides as the Castle House Orchestra in February 1914.  Most recordings under the Castle House Orchestra name were made by pioneering black bandleader James Reese Europe.  For whatever reason, the less “hot” recordings of waltzes, maxixes and tangos were assigned to McKee.   As with Europe’s recordings, McKee’s Castle House recordings were made under the personal supervision of Vernon Castle.

I have not been able to determine whether or not McKee’s band was strictly a Victor in-house studio ensemble or whether it performed elsewhere.

Posted in 1910s, Acoustic Recordings, American Recordings, Salon Music | Leave a comment

Ted Weems And His Orchestra

Victor 22238

 

“The Man From The South”
Ted Weems And His Orchestra; Arthur Jarrett, vocal
1929 (Victor 22238 B)
Ted Weems And His Orchestra – The Man From The South]

“Harmonica Harry”
Ted Weems  And His Orchestra; Parker Gibbs, vocal
1929 (Victor 22238 A)
Ted Weems And His Orchestra – Harmonica Harry]

 

Here is a Ted Weems record from 1929.

Almost every recording I have heard of “The Man From The South” has featured a really outstanding arrangement.   This version is no exception – and is quite “hot” as far as Ted Weems records go.

“Harmonica Harry” is a novelty song which was a sequel to and, no doubt, an attempt to capitalize on the popularity of another novelty recording Weems made earlier in the year,  “Piccolo Pete,”  which became a big hit for the band.

Posted in 1920s, 1920s Popular Music, American Recordings, Electrical Recordings | 2 Comments

Barnabas Von Geczy

 

 

“Destiny Valse” (Destiny Waltz)
Barnabas Von Geczy et son Orchestre
1936 (Disque Gramophone K7970 mx ORA 1591
Barnabas Von Geczy – Destiny Waltz]

“Voix Du Printemps” (Frühlingsstimmen)
Barnabas Von Geczy et son Orchestre
1937 (Disque Gramophone K7970 mx ORA 1767
Barnabas Von Geczy – Voix Du Printemps]

 

Here are two  selections by Barnabas Von Geczy’s (link via Google Translate) salon orchestra.   Von Geczy was a Hungarian violinist and bandleader whose recordings were popular throughout Europe.  From 1925 to 1937 his orchestra had a long term engagement at the Hotel Esplanade in Berlin.

My copy of the record is a French pressing.   I decided to reproduce the song titles and artist credits as they appear on the label.  The titles in their original language are in parenthesis.

“Destiny Valse”/”Destiny Waltz” was written by British composer Sydney Baynes in 1912 and was his most famous work.   The song was one of the selections performed by Wallace Hartley’s White Star Orchestra on the ill fated maiden voyage of the Titanic.

” Voix Du Printemps”/”Frühlingsstimmen” or “Voices of Spring” is a very pretty waltz composed in 1882 by Johann Strauss II.

Posted in 1930s, Electrical Recordings, German Recordings, Salon Music | Leave a comment

Larry Clinton’s Bluebird Orchestra


“Estrellita”
Larry Clinton’s Bluebird Orch
1941 (Bluebird B-11140-B)
Larry Clinton’s Bluebird Orchestra – Estrellita]

“Essential To Me”
Larry Clinton’s Bluebird Orch
Peggy Mann, Butch Stone, vocal
1941 (Bluebird B-11140-B)
Larry Clinton’s Bluebird Orchestra – Essential To Me]

The Larry Clinton Orchestra was popular during the late 1930s and early 1940s.  The band’s best remembered recordings featured vocalist Bea Wain who left to pursue a solo career in 1939.   Clinton began recording for Victor in 1937. Starting in 1940 the majority of his recordings were issued on Victor’s lower priced Bluebird subsidiary label.   His last recording session before he disbanded and joined the Army Air Force due to U.S. entry in World War II was in September 1941.

This record comes from a batch of big band/swing era records I picked up a while back and have not yet had the time to fully sort through or listen to.   I have picked this one out because I am very fond of the song “Estrellita” and enjoy hearing different versions of it.   The song dates back to 1912 and was written by Mexican composer Manuel Ponce.   Over the years it has been performed and recorded by many different artists in a variety of musical styles.

The song on the flip side, “Essential To Me,” is one that apparently was not particularly successful at the time and has been largely forgotten.   Its Mort Greene lyrics are interesting in that they contain several references to the era’s pop culture including buffalo nickels, Jack Benny’s Jello sponsored radio program as well as the Amos ‘n Andy and Edgar Bergen – Charlie McCarthy radio programs.

Posted in 1940s, 1940s Popular Music, American Recordings, Electrical Recordings | 4 Comments

Jack Hylton “If You Were Mine” 1929

HMV B 5720

 

“If You Were Mine”
Jack Hylton And His Orchestra
1929 (HMV B 5720 mx Bb18047)
Jack Hylton And His Orchestra – If You Were Mine]

This Jack Hylton record is a recent acquisition that features a song I was not previously familiar with.  The song has provided me with a little mystery to solve:    The label’s composer credit says it was written by someone named “Myers.”   However, I wonder if this is perhaps a typo and if the actual composer is George W. Meyer who composed a song by that name for the 1929 First National film Twin Beds.  Unfortunately, that film is now believed to be lost.

I did find another British recording of this song from 1930 by Ray Starita on YouTube and have a message in asking the poster if he could provide me with the name listed in the composer credits.

There was another song by the same name composed by Matt Malneck and Johnny Mercer from around 1935 that was recorded by Billie Holliday, Teddy Wilson and others.

Interestingly enough, the song on the flip side of this record is a waltz “My Song of the Nile” which was composed by George W. Meyer who is accurately credited.   That song was featured in another 1929 First National picture Drag.  The film was released in the UK under the alternate title Parasites which is mentioned on the label.   No mention of any film is made on the “If You Were Mine” side.

If anyone reading this is in a position to confirm whether or not the song featured here is the same as the George W. Meyer song from Twin Beds,  I would very much appreciate your posting a comment below letting me know.

Posted in 1920s, 1920s Popular Music, British Recordings, Electrical Recordings | 1 Comment

Ken “Snakehips” Johnson & Al Bowlly

HMV BD-5592

 

“It Was A Lover And His Lass”
Ken “Snakehips” Johnson And His West Indian Orchestra
Al Bowlly & The Henderson Twins, vocal
1940 (HMV BD 5592 mx OEA 8583)
Ken Snakehips Johnson And His West Indian Orchestra – It Was A Lover And His Lass]

“Blow Blow Thou Winter Wind”
Ken “Snakehips” Johnson And His West Indian Orchestra
Al Bowlly & The Henderson Twins, vocal
1940 (HMV BD 5592 mx OEA 8582)
Ken Snakehips Johnson And His West Indian Orchestra – Blow Blow Thou Winter Wind]

When I selected this record to present here on the blog it occurred to me that both of its featured artists were killed less than a year later in two separate bombings during the London blitz.

Ken “Snakehips” Johnson was Britain’s most successful black bandleader.  Johnson’s band had a long term engagement at London’s Cafe de Paris nightclub where it was performing on March 8, 1941 when two bombs came into the building through a ventilation shaft and exploded in front of the band killing Johnson and dozens of others.

A little over a month later on April 17, 1941 vocalist Al Bowlly was killed when a parachute mine exploded outside of his apartment.

Posted in 1940s, 1940s Popular Music, British Recordings, Electrical Recordings | Leave a comment

Cliff Bruner And His Boys

Decca 5785

“Over The Hill”
Cliff Bruner And His Boys
1939 (Decca 5785 B mx 66301)
Cliff Bruner And His Boys – Over The Hill]

“It’s All Over Now”
Cliff Bruner And His Boys
1939 Decca 5785 A mx 66353)
Cliff Bruner And His Boys – It’s All Over Now]

You can find background information about Cliff Bruner at this link.

I do not have a great many country records in my collection – primarily because I am not familiar enough with the genre to know which ones I will likely enjoy.   I enjoy certain types of “western swing” recordings – but even bands such as Milton Brown and His Musical Brownies that recorded a lot of stuff I enjoy also had a number of recordings that are far too rustic for my taste.

I acquired today’s record some time ago in a bulk purchase and only recently listened to it for the first time.  I think the tunes on both sides are very pretty.  The piano and steel guitar passages in “Over The Hill” are good examples of the style of western swing that I enjoy.

Posted in 1930s, American Recordings, Country/Western Swing, Electrical Recordings | Leave a comment

More Duke Ellington

Victor V-38045

 

“Japanese Dream”
Duke Ellington’s Orchestra
1929 (Victor V-38045-B)
Duke Ellington’s Orchestra – Japanese Dream]

“Harlemania”
Duke Ellington’s Orchestra
1929 (Victor V-38045-A)
Duke Ellington’s Orchestra – Harlemania]

Here is a Duke Ellington record I acquired a couple of years ago.  I held off on digitizing it for inclusion in the Radio Dismuke playlist so that I could feature “Japanese Dream” along with other records not in the station’s regular rotation on the 2009-2010 New Year’s Eve live broadcast.   After the broadcast, I set the record aside and, until recently, completely forgot about it.

This record is from Victor’s V-38000 catalog number series.  The series was launched in 1929 and was devoted exclusively to recordings by black musicians.  Victor advertised it as their “red hot dance” catalog.   Unfortunately, because of the onset of the Great Depression and declining record sales, the series was discontinued a year later.

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“Whistling Rufus” & “Down South”

Zonophone 5566

“Whistling Rufus”
International Novelty Quartette
1930 ( Zonophone 5566 mx Yy18249)
International Novelty Quartette – Whistling Rufus]

“Down South”
International Novelty Quartette
1930 (Zonophone 5566 mx Yy18246)
International Novelty Quartette – Down South]

Here is a very charming British salon music record I recently acquired.  My guess is the International Novelty Quartette consisted of in-house studio musicians for the Gramophone Co, parent company of the HMV and Zonophone labels.  I especially enjoy the use of the xylophone on both selections.

“Whistling Rufus”was written in 1899 by American composer Kerry Mills.   Mills wrote a number of famous songs including “Meet Me In St. Louis” “At A Georgia Camp Meeting” and “Red Wing.”

“Down South” (the song is often listed with a subtitle of “An American Sketch” dates back to 1901 and was written by British composer W. H. Myddleton.   In addition to being a composer, Myddleton was also a conductor, a novelist, a dramatist and an astronomer.  He sometimes composed under the pen name Arnold Safroni.

Posted in 1930s, British Recordings, Electrical Recordings, Ragtime, Salon Music | 1 Comment