“Die Hydropaten Waltz” – Prince’s Orchestra – 1909

Columbia A 5116

 

“Die Hydropaten Waltz”
Prince’s Orchestra
1909 (Columbia A 5116 mx 30240)
Die Hydropaten Waltz

Here is a waltz by Austrian composer Joseph Gung’l  First published in 1858 the waltz was performed throughout much of the world during the Victorian era and into the early decades of the 20th century.  Early editions of its sheet music feature a dedication to the Priessnitz family – presumably the family of Vincenz Priessnitz, an Austrian peasant farmer who became famous as the father of hydrotherapy. 

This recording was made by Columbia’s in-house band led by Charles A. Prince.

Posted in 1900s, Acoustic Recordings, American Recordings, Classical, Salon Music | 1 Comment

Ben Selvin Orchestra & Eddie Walters – 1930

Columbia 2255D

 

“It’s Easy To Fall In Love”
Ben Selvin And His Orchestra; Eddie Walters, vocal
1930 (Columbia 2255 D mx 150622)
It’s Easy To Fall In Love

“Why Have You Forgotten Waikiki?”
Ben Selvin And His Orchestra; Eddie Walters, vocal
1930 (Columbia 2255 D mx 150621)
Why Have You Forgotten Waikiki

 

Both of these peppy Ben Selvin sides feature uncredited vocals and ukulele solos by Eddie Walters.  I have never been able to find much in the way of biographical information about Walters but he appeared in vaudeville and was briefly popular on radio in the very early 1930s.

If you listen carefully you will be able to hear Tommy Dorsey and Benny Goodman, both of whom were in high demand as sidemen in the New York City recording studios of various labels in the late ’20s and early ’30s before eventually fronting their own bands in the subsequent swing and big band eras.

 

Posted in 1930s, 1930s Popular Music, American Recordings, Electrical Recordings | Leave a comment

Ragtime & March From Mexico

Columbia A795

 

“Yankee Charro Cakewalk”
Banda Flamenco Gascón
Circa 1908 (Columbia  A 795 mx 5806)
Yankee Charro

“Emperador March”
Banda de Rurales de Pachuca
Circa 1907 (Columbia A 795 mx 5784)
Emperador March

 

Here is a fun ragtime recording from Mexico – “Yankee Charro Cakewalk.”  The song was published in 1905 and composed by Rafael Gascón who was a popular Mexican bandleader and prolific composer from the late 1800s until his death in 1915.  You can view a photo of the original Mexican sheet music cover at this link.   While Gascón’s most famous work is “Cielo Andaluz,” a pasodoble that is still performed at bullfights, he also composed a number of upbeat popular cakewalks.

As far as I can determine, sheet music for “Yankee Charro” was never published in the United States.  Even though this record was issued in the USA in 1910 as part of Columbia’s main popular catalog series, my very strong guess is that both recordings were from imported masters that were previously made for domestic consumption by Columbia’s Mexican subsidiary.

The composer for “Emperador March” is credited to someone named Trespaille – but I have not been able to locate information as to who that was.  Banda de Rurales de Pachuca was founded in 1901 and is still in existence, though it has since changed its name to The Symphonic Band of the State Of Hidalgo.

This record was recently given to me by a  Dallas area Radio Dismuke listener who contacted me looking for a good home for her late father’s records.  The records are from a pretty wide variety of eras and genres and I have already picked a few out that I will feature in future postings.

Posted in 1900s, 1900s Popular Music, Acoustic Recordings, Military Band, Other Foreign Recordings, Ragtime | 1 Comment

Nellie Melba – “Lucia – Mad Scene” – 1910

Victrola 88071

“Lucia – Mad Scene”
Nellie Melba
1910 (Victor 88071)
Lucia Mad Scene

Here is a selection from  Gaetano Donizetti’s 1835 opera Lucia di Lammermoor.

Nellie Melba recorded the Mad Scene on three occasions.   The first was in 1904 in England for the Gramophone & Typewriter Company. That recording was imported into the United States by the Victor Talking Machine company and issued on a specially designed “Melba” label.  After Melba came to the United States in 1907 she re-recorded most of her Gramophone & Typewriter sides for Victor.  Melba’s first recording of the Mad Scene for Victor was made in March 1907 and was issued on catalog number 88071. However, in August 1910 a new version was recorded and it was also issued under the same catalog number.   This was an instance of Victor’s odd practice of occasionally remaking recordings and issuing them under the exact same catalog number (and sometimes even using the same matrix number) as the original.  Thus, if you have a copy of Victor 88071, the specific performance it contains will depend upon whether the record was pressed before or after the 1910 remake.

 The version featured here is from the 1910 recording session.  Melba’s records remained in the Victor catalog for many years and my particular copy was pressed sometime between 1918 and 1923 when the Victor name on Red Seal records was changed to Victrola.  It is very possible that I also have a pressing with the 1907 version sitting in a box of 12 inch records that I have yet to sort through.  If I find one, I will definitely put up a posting to allow for a comparison.

A little bit of food trivia:  both peach Melba and Melba toast were named after Nellie Melba.

Posted in 1900s, Acoustic Recordings, American Recordings, Opera | 1 Comment

Back Again

I am back again – this time after a nine month or so pause.  As always, I make no promises as to how frequently I will put up new postings and, if things become too busy, there may be another extended period between updates.

While Radio Dismuke is my top priority when it comes to vintage music projects, I do miss having an outlet through which to share the many incredible recordings I have managed to accumulate that are beyond the station’s 1920s & 1930s popular music and jazz scope.   Of course, postings will continue to focus heavily on recordings that I have digitized for Radio Dismuke.  But this blog is my opportunity to share 78 rpm era records from other genres and periods as well.

Because my posting schedule will be erratic at times, if you enjoy what you find here I do have a Twitter account through which I send out notifications of updates.

Posted in Blog News | 3 Comments

Charles Agnew & His Hotel Stevens Orchestra – 1933

Columbia2793D

“Don’t Blame Me”
Charles Agnew And His Stevens Hotel Orch.
1933 (Columbia 2793 D mx 152439)
Don’t Blame Me – Charles Agnew And His Hotel Stevens Hotel Orch

“Trouble In Paradise”
Charles Agenew And his Stevens Hotel Orch.
1933 (Columbia 2793 D mx 152411)
Trouble In Paradise – Charles Agnew And His Hotel Stevens Orch

 

Note:  Today’s update comes courtesy guest contributor Matt From College Station who provides both the recordings and the commentary below.

It is my pleasure to present two recordings from a completely forgotten depression era dance orchestra. A good number of excellent titles from the early 1930s, particularly on Columbia, are overlooked even by fans of 1920s and 1930s music. This is perhaps because of their rarity and lack of availability in digital formats.

The recording selection for this post comes from the only session of Charles Agnew and his Stevens Hotel Orchestra. They cut only four sides on July 25, 1933. These titles are sweet and sophisticated, but not sappy or syrupy. “Don’t Blame Me,” a popular hit in 1933, is a particular favorite of mine due to the sax solo during the verse being very skillfully done. This was his most popular recording, with a review in the New York Times describing it as “richly played.”

“Trouble in Paradise” does hold its own, but is the weaker of the two sides. Stanley Jacobson delivers spot on vocals in the falsetto style popular at the time.

Although few recordings exist of this band, the quality of the arrangements and instrumentation suggest a very skilled and successful orchestra. In fact, Charles Agnew led an excellent “society” band in 1930s Chicago and played such distinguished venues as the Aragon Ballroom and Edgewater Beach Hotel. His band was popular on the NBC radio network throughout the 1930s. He also toured throughout the Midwest during the 1930s and 1940s. In the late 1950s, he switched to a smaller instrumental group format. He died of cancer in 1978 at the age of 77, after being retired from the business for about 10 years.

Matt From College Station

Posted in 1930s, 1930s Popular Music, American Recordings, Electrical Recordings | 1 Comment

Blanche Ring – 1909

yipiaddyiay

Victor5692

“Yip! I Adee! I Aye”
Blanche Ring
1909 (Victor 5692)
Yip I Adee I Aye – Blanche Ring

Blanche Ring was a well-known actress and Broadway singer around the turn of the last century.  Here is a song she introduced in 1908 in the musical production The Merry Widow And The Devil  Blanche Ring made this recording on March 20, 1909 almost three months after the production’s final performance on January 30.  The song was composed by Will D Cobb with lyrics by John H Flynn.

Posted in 1900s, 1900s Popular Music, Acoustic Recordings, American Recordings | Leave a comment

The Rhythm Band (George Fisher) 1928

HMVB5466

“A Room With A View”
The Rhythm Band
1928 (HMV B 5466 mx Bb 13209)
A Room With A View – The Rhythm Band

“Half A Kiss”
The Rhythm Band
1928 (HMV B 5466 mx Bb 13236_
Half A Kiss – The Rhythm Band

The Rhythm Band was a British band led by American musician George Fischer (nee George Fischberg).  Fisher was a member of the San Francisco based Art Hickman Orchestra and came to England as a member of a touring unit of the Hickman band.  By the late 1920s he was fronting his own band at London’s stylish Kit-Kat Club.  Many years later Fisher worked as Marlene Dietrich’s piano accompanist.

“A Room With A View” comes from the 1928 Noël Coward revue This Year Of Grace.  It is not to be confused with the 1908 E M Forster novel of the same name or the 1985 film adaptation of the novel.

“Half A Kiss” is a Vernon Duke composition from the 1928 production The Yellow Mask.

Posted in 1920s, 1920s Popular Music, British Recordings, Electrical Recordings | Leave a comment

Tommy Dover And His Texas Rhythm Boys – 1949

Macys108

“Blue Over You”
Tommy Dover And His Rhythm Boys
1949 (Macy’s 108-B)
Blue Over You – Tommy Dover And His Rhythm Boys

“Weeping Willow”
Tommy Dover And His Texas Rhythm Boys
1949 (Macy’s 108 A)
Weeping Willow – Tommy Dover And His Texas Rhythm Boys 

 

Here is a Texas country band that apparently was obscure even when this record was made.  I did a quick search of Dallas Morning News archives from the period hoping to turn up at least some biographical information on Tommy Dover – but I found nothing.    My guess is the band was strictly local to the Houston area where the Macy’s label was based.  The label was owned by Macy and Charles Henry and had no connection with Macy’s department store.  The label, which issued both country and rhythm and blues recordings, was founded in 1949 and went out of business in 1951.

 

 

 

Posted in 1940s, 1940s Popular Music, American Recordings, Country/Western Swing, Electrical Recordings, Postwar Recordings | 1 Comment

The Benson Orchestra of Chicago – 1924

Victor19470

“Keep On Dancing”
The Benson Orchestra Of Chicago
1924 (Victor 19470-B)
Keep On Dancing – The Benson Orchestra Of Chicago

“Copenhagen”
The Benson Orchestra Of Chicago
1924 (Victor 19470-A)
Copenhagen – The Benson Orchestra Of Chicago

Here is a jazzy “hot dance” record I stumbled across and purchased at a used book store a couple of weekends ago.

The Benson Orchestra of Chicago was one of  several Chicago area bands operated by cellist and entrepreneur Edgar Benson.   Since this was during the era when the jazz craze was at its height and ballroom dancing was a major national pastime  it was not uncommon for successful bandleaders to have more demand for bookings than a single ensemble could fulfill.

The song “Keep On Dancing” also has a Chicago connection as it was one of the first songs published by a music publishing venture of the Duncan Sisters who were well-known vaudeville stars.   The publishing company had its offices in Chicago’s Garrick Theater Building and, as far as I can determine through online research, remained in business for only a few months.

I recently featured a different recording of “Copenhagen” by the California Ramblers in my June 4th posting.  But this version of the song by the Benson Orchestra is too good not to include.

Had this record been made less than a year later it would have been recorded through a microphone rather than an acoustical recording horn.

Posted in 1920s, 1920s Popular Music, Acoustic Recordings, American Recordings | 2 Comments