Special New Year’s Eve/Day Broadcast

Radio Dismuke will ring in the New Year in all four continental United States time zones with our eighth annual New Year’s Eve broadcast. Joining Dismuke on the broadcast will be guest contributors Eddie The Collector, Eric, Christian and Matt From College Station who will be bringing lots of fun and interesting 1920s and 1930s recordings from their respective 78 rpm record collections. The year 2013 will also mark the 100th anniversary of the year 1913 – so we will commemorate the occasion by including a few recordings from that year as well. 2013 is also the 100th anniversary of the introduction of the Edison Diamond Disc, a very unusual type of disc record manufactured by the Thomas Edison company from 1913 – 1929 – so we will also be playing some jazz and dance band Edison records. And we will also feature one of the world’s first long playing records – a ten inch 80 rpm Edison disc from 1926 that had a playing time in excess of twenty minutes per side. The records were not commercially successful and only a few were made so they are extremely rare today. We will not play the entire record all the way though – but we will sample several minutes worth of it. There is no better way to get a brand new year off to a great start than with lots of happy, jazzy and melodic vintage recordings.

For those who have other plans on New Year’s Eve or reside in time zones where the initial broadcast occurs at odd hours, the entire program will be rebroadcast in continuous rotation throughout New Year’s Day.

New Year’s Eve
Monday, December 31, 2012

United States Listeners
10:00 PM – 4:00 AM Eastern
9:00 PM – 3:00 AM Central
8:00 PM – 2:00 AM Mountain
7:00 PM – 1:00 AM Pacific

International Listeners
3:00 AM – 9:00 AM Tuesday GMT

New Year’s Day
Tuesday, January 1, 2013
Rebroadcast

After the initial airing, the program will immediately repeat and play in continuous rotation throughout New Year’s Day. The continuous loop rebroadcast will run though at least midnight Monday morning Central Time in the USA (6:00 AM Monday GMT). The replay of the broadcast that is still in progress at midnight will be allowed to complete before Radio Dismuke resumes normal programing for Monday.

Here is a website that will be helpful for listeners outside of North America who wish to convert the broadcast schedule to their local time:

http://www.timezonec…cgi-bin/tzc.tzc

Posted in Radio Dismuke | 1 Comment

Ben Pollack And His Californians – 1928

Victor 21437

 

“Singapore Sorrows”
Ben Pollack And His Californians
Ben Pollack, vocal
1928 (Victor 21437-B mx 43540)
Ben Pollack And His Californians – Singapore Sorrows]

“Sweet Sue, Just You”
Ben Pollack And His Californians
Franklyn Baur, vocal
1928 (Victor 21437-A mx 43541)
Ben Pollack And His Californians – Sweet Sue Just You]

Ben Pollack had a top-notch band in the late 1920s and into the 1930s with a number of outstanding side men who later became stars in the big band era.  But enduring success  was always elusive for Pollack – and he apparently became increasingly bitter about it over the years.  In 1971 he hanged himself.

Posted in 1920s, 1920s Popular Music, American Recordings, Electrical Recordings | 1 Comment

Band of H. M. Royal Irish Fusiliers – 1913

Zonophone 1106

“Baby Boo, March”
Band of H. M. Royal Irish Fusiliers
1913 (Zonophone 1106 mx 16798)
Band Of H M Royal Irish Fusiliers – Baby Boo March]

“Gardes du Corpes, March”
Band of H. M. Royal Irish Fusiliers
1913 (Zonophone 1106 mx 16796)
Band Of H M Royal Irish Fusiliers – Gardes du Corpes March]

Here are a couple of marches from a 1913 British Zonophone disc – part of an ongoing series of selections from the collection of my friend Christian From Dallas who has loaned me a few boxes of records to sort through and digitize for the blog.

Here is a link where you can learn about the Royal Irish Fusiliers.

“Baby Boo March” was published in 1904 and composed by Fred Jewell who, at age 16, ran away and joined the circus and spent much of his career conducting bands for various traveling circuses.   The song commemorates the birth of an elephant at Baraboo, Wisconsin where the Ringling Brothers circus was spending the winter.  When he wrote the song he shortened the name to Baby Boo.

“Gardes du Corpes March” was composed in 1896 by American song writer Robert Browne Hall who wrote a number of marches and whose works were especially popular in Great Britain.

Posted in 1910s, Acoustic Recordings, British Recordings | Leave a comment

Orlando And His Orchestra – 1937

HMV BD-5236

 

“Love Is Good For Anything That Ails You”
Orlando And His Orchestra
Phyllis Robbins, vocal
1937 (HMV BD 5236 mx OEA 5277)
Orlando And His Orchestra – Love Is Good For Anything That Ails You]

“A Sailboat In The Moonlight”
Orlando And His Orchestra
1937 (HMV BD 5236 mx OEA 5275)
Orlando And His Orchestra – A Sailboat In The Moonlight]

Here are a couple of selections by Joe Orlando’s orchestra which, at the time, had a long-term residency at the Hotel Gleneagles in Perthshire, Scotland.

“Love Is Good For Anything That Ails You” was probably the band’s most well-known recording.   The recording enjoyed a nice revival when it was featured in the 1981 film Pennies From Heaven.

Posted in 1930s, 1930s Popular Music, British Recordings, Electrical Recordings | 2 Comments

The Black Diamonds – 1910

HMV B-124

 

“Dollar Princess Two Step”
The Black Diamonds
1910 (HMV B-124 mx 11541)
The Black Diamonds – Dollar Princess Two Step]

“Irish King March”
The Black Diamonds
1910 (HMV B 124 mx 12039)
The Black Diamonds – Irish King March]

Here are two more selections in an ongoing series featuring recordings from the collection of my friend Christian In Dallas who has loaned me a few boxes of his records to digitize and share on this blog.

“Dollar Princess Two Step” features tunes from the 1907 Leo Fall operetta The Dollar Princess.

“Irish King March” was composed by bandleader Arthur Pryor.

The Black Diamonds recorded many dozens of records for the British HMV label.  I am guessing that they were an in-house studio band – but that is only a guess.   According to the CHARM database the conductor on “Irish King March” was Eli Hudson who was a famous flute player of the era.   In additon to Hudson, other Black Diamonds recording sessions were conducted by violinist George W. Byng.

While both of these selections were recorded in 1910, the catalog number on this double sided pressing dates to 1912.   I suspect that there is a strong possibility that both selections were previously issued in 1910 on separate one-sided records.

Posted in Uncategorized | 2 Comments

Isham Jones Orchestra – 1927

Brunswick 3685

 

“Together We Two”
Isham Jones Orchestra
Keller Sisters, vocal
1927 (Brunswick 3685 A)
Isham Jones Orchestra – Together We Two]

“What’ll You Do?”
Isham Jones Orchestra
Eddie Thomas, vocal
1927 (Brunswick 3685 B)
Isham Jones Orchestra – What’ll You Do]

Here is a nice Isham Jones record that I recently came across while sorting through a box of records I acquired last year.   Both sides feature very peppy arrangements – I especially enjoy the second part of “Together We Two” after the vocal.

The Keller Sisters featured on the vocal of “Together We Two” were Nan and Taddy Keller who, along with their brother Frank Lynch, came to fame on the vaudeville circuits under the billing The Keller Sisters and Lynch.   They also appeared on radio and made occasional recordings with several 1920s era dance bands – the most well-known being the Jean Goldkette recording of “Sunday.”

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“Yankee Patrol” 1904

Standard Disc Record 1795
“Yankee Patrol”
Band
1904 (Standard Disc Record 1795)
Band – Yankee Patrol]

Here is a one-sided Standard Disc Record that I set aside when I was searching for the 1905 Standard record of “Silver Heels” that I featured on my April 15 posting commemorating the 100th anniversary of the sinking of the Titanic.

As I mentioned in the April 15 posting, Standard Disc Records were pressed by Columbia on a contract basis for the Standard Talking Machine Company of Chicago using recordings that had already been issued on the Columbia label.

For this recording the artist credit on the original Columbia issue was “Columbia Band.”  On the Standard issue it is simply listed as an unaccredited band.  However, this recording is early enough that it features an opening announcement  – and note that the announcement credits it as “Columbia Band” even on the Standard issue.   Such opening announcements were a holdover from cylinder records where the lack of surface space for label and credits made them necessary.    In 1904 cylinders still had a larger share of the record market than discs.

“Yankee Patrol” was composed by Frank W. Meacham who is best remembered for his 1885 composition “American Patrol” which, decades later, was revived in a memorable 1941  Glenn Miller recording.

Posted in 1900s, 1900s Popular Music, Acoustic Recordings, American Recordings, Ragtime | Leave a comment

1930s Film Star And Vocialist Marta Eggerth’s 100th Birthday

April 17th is the 100th birthday of 1930s film star and vocalist Marta Eggerth.    She is still with us – and still singing.   The Washington Post has a nice article about the occasion.

Here are a few Marta Eggerth YouTube clips for your enjoyment:

A 1932 scene set in a record shop (sorry, embedding is not permitted on this clip)

 

Performing at age 82

 

 

A very pretty song from 1932

 

Many more great Eggerth film clips and recordings can be found by simply entering “Marta Eggerth” into a YouTube search.

Posted in 1930s, Film Music, Opera, Operetta, Other Foreign Recordings | 1 Comment

Performed On The Titanic: “Silver Heels” 1906

Standard Disc Record 3341

 

“Silver Heels”
Band
1906 (Standard Disc Record 3341)
Band – Silver Heels]

As you may already be aware from the extensive media coverage, this past evening was the 100th anniversary of the sinking of the Titanic.   A number of songs have been documented as having been played by Wallace Hartley’s salon orchestra during the voyage.  Here is one of my favorites among them.

“Silver Heels” was composed in 1905 by Charles Neil Daniels under the pseudonym of Neil Moret.  In addition to being a composer, Daniels was editorial director of the Jerome H. Remick Music Company which published a large number of ragtime time era songs.

“Silver Heels’ was promoted as an “Indian intermezzo.”   Daniels composed the very first Indian intermezzo “Hiawatha” in 1902 while on a train ride though Hiawatha, Kansas.   The rhythm of the locomotive made Daniels think of Indian drums.  The song’s publisher provided the “Indian intermezzo” subtitle and it became a popular success.    The Indian intermezzo quickly became one of the early popular music fads of the 20th century.  One commentator has suggested  that the use of the word “intermezzo” perhaps gave exotic popular music a classical respectability so that it would be appropriate for young ladies to purchase and play in their parlors.

This recording comes from a one-sided Standard Disc Record issued by the Standard Talking Machine Company of Chicago.   Standard manufactured phonographs which were sold at either very low prices or were sometimes given away as premiums.   The “catch” was that the machines had a larger than standard spindle that would only accommodate the company’s records  – an early form of what we today would call vendor lock in.   All of Standard’s records were pressed by Columbia and consisted of selections that had previously appeared on the Columbia label.   At the time the patents for conventional lateral grooved disc records in the United States were controlled by Victor and Columbia.  This recording was originally released in 1906 on Columbia 3341 with the band credited as “Columbia Band.”

Posted in 1900s, 1900s Popular Music, Acoustic Recordings, American Recordings, Ragtime | 1 Comment

“Dance Of The Song Birds” – 1905

Dance Of The Song Birds

 

Victor 4648

 

“Dance Of The Song Birds”
Victor Orchestra
1905 (Victor 4648)

Victor Orchestra – Dance Of The Songbirds]

This one sided Victor record from 1905 comes from the collection of my friend Christian From Dallas who has loaned me a few boxes of records to sort through and digitize for the blog.   It features a very charming song by turn of the century composer Benjamin J Richmond.

Unfortunately, I have not been able to find much in the way of biographical information about Richmond (and it is also possible that “Benjamin Richmond” was but a pen name.)    In addition to “Dance Of The Song Birds” Richmond wrote “Dance Of The Honey Bees,” “Dance Of The Sparrows,” “Dance Of The Stars,” “Dance Of  The Bumble Bees”  as well as “Falling Star,” “Sparkling Stars” “June Roses” “When The Robin Calls Its Mate,” “Ohmar Khayyam,” “Yankee Notions” and “Campus Rag.”

Victor rerecorded “Dance Of The Song Birds” in December 1913 (Victor 17521).  The later recording was also issued under the name “Victor Orchestra” and featured whistling by Joseph Belmont.

Posted in 1900s, 1900s Popular Music, Acoustic Recordings, American Recordings, Uncategorized | 1 Comment